By Steve Sailer
09/17/2020
The 250th anniversary of Beethovenās birth in 1770 is this December 16, more or less (he was baptized on December 17, so born on December 16 is the best guess). But this being 2020, when Black Is Best and White Is Worst, the nicest thing anybody can think to say about Ludwig van is that in a few engravings, he kind of sort of looks like an octoroon.
From The Guardian:
āBeethoven was blackā: why the radical idea still has power today
He helped galvanise the US civil rights movement, and today sparks intense debate about cultural dominance and the musical canon. In his 250th anniversary year can we listen to Beethoven and what he represents with fresh ears?
Philip Clark
Mon 7 Sep 2020
Exactly 80 years after Beethovenās death, in 1907, the British composer Samuel Coleridge-Taylor began speculating that Beethoven was black.
Note: Samuel Coleridge-Taylor, right, is not the same person as Samuel Taylor Coleridge, author of āKubla Khan.ā
Colderidge-Taylor was mixed race ā with a white English mother and a Sierra Leonean father ā and said that he couldnāt help noticing remarkable likenesses between his own facial features and images of Beethovenās. Having recently returned from the segregated US, Coleridge-Taylor projected his experiences there onto the German composer. āIf the greatest of all musicians were alive today, he would find it impossible to obtain hotel accommodation in certain American cities.ā
His words would prove prophetic. During the 1960s, the mantra āBeethoven was blackā became part of the struggle for civil rights. By then Coleridge-Taylor had been dead for 50 years and was all but forgotten, but as campaigner Stokely Carmichael raged against the deeply ingrained assumption that white European culture was inherently superior to black culture, the baton was passed. āBeethoven was as black as you and I,ā he told a mainly black audience in Seattle, ābut they donāt tell us that.ā A few years earlier, Malcolm X had given voice to that same idea when he told an interviewer that Beethovenās father had been āone of the blackamoors that hired themselves out in Europe as professional soldiersā.
āBeethoven was blackā became a refrain chanted on a San Francisco soul music radio station and, in 1969, hit mass consciousness when Rolling Stone magazine ran a story headlined: āBeethoven was black and proud!ā ā¦
Was Beethoven black? The evidence is scant and inconclusive. The case rests on two possibilities: that Beethovenās Flemish ancestors married Spanish āblackamoorsā of African descent, or that Beethovenās mother had an affair. But the truth Carmichael and Malcolm X sought was not scientific. āBeethoven was blackā was a grand metaphor designed to unsettle and shake certainty.
Had Beethoven been black, would he have been classed as a canonical composer? And what about other black composers lost in history?